Elite Training
Providing elite dance training second to none, BDA has successfully auditioned 100% of our students who applied to full time schools.
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Up To Date
Our teachers are constantly attending syllabus and training workshops to stay up to date with the latest styles.
End of year Concert
We pride ourselves in our student’s hard work. We feature students in frequent online video campaigns to showcase their progression and passion.
Costume Hire Scheme
We purchase the end of year concert costumes so you don’t have to, and in turn hire them out at a fraction of the price you would have to pay elsewhere.
Is Annabelle Lopez Ochoa the Busiest Female Ballet Choreographer on the Planet?
I grew up dancing, and for a while in college, I was a gym rat. I finally realized… I’m going to create a little more balance in my life and make exercise something that I enjoy doing. So I went…
In London, a ‘Frankenstein’ With Empathy
LONDON — The creature of “Frankenstein,” or “The Modern Prometheus,” as the author Mary Shelley subtitled her 1818 masterpiece, is perhaps literature’s most misunderstood and misrepresented character: more an infantile outcast longing for love than a vengeful monster chased by pitchfork-wielding mobs.
It is that misbegotten aspect that drew the choreographer Liam Scarlett to bring Shelley’s story to life in a full-length work for the Royal Ballet, running May 4-27.
While the thought of a dancing monster may strike some as funny — think Peter Boyle in a white-tie-and-tails routine with Gene Wilder in “Young Frankenstein” — for Mr. Scarlett it was a chance to reinterpret a story that has long enthralled, and often baffled, readers and audiences.
Review: For Pennsylvania Ballet, Transitions Onstage
All dance companies are, inevitably, in perpetual transition, but that’s unusually pronounced just now at Pennsylvania Ballet, which opened a program of 21st-century choreography on Tuesday night at the Joyce Theater. Since Angel Corella became the company’s artistic director in 2014, large numbers…